Showing posts with label Midnight. Show all posts
Showing posts with label Midnight. Show all posts

Friday, June 28, 2013

Detroit Ad Mat Massacre



When you live in Detroit and love exploitation movies, this is where the action's at.

Caught this dubious double at the NORTHGATE, my Saturday afternoon hangout in the years I spent in the Motor City. I couldn't get enough of the NORTHGATE's sticky floors, shitty projection, and unbeatable double bills. 


The first saw I saw an uncut XXX-rated flick at a theater was in Detroit. The venue was the KRIM (Woodward and 6 Mile), a sleazy dive in a sleazy part of town. That place was a trip, and I patronized it at least twice a month.  Manhattan Mistress was a solid sex flick shot on film.

Melbourne, my home town, had many adult theaters, but in my heady teen years when I was 'forced' to sneak into these churches of ill repute, all the movies had their hardcore scenes scissored. 


Great cast, pretty decent film. Caught this at the ADAMS in Downtown Detroit. 

Not sure why I didn't see it at the NORTHGATE, which was closer to where I was living at the time, but that's life.

The good stuff also played at the famous BEL AIR DRIVE-IN, another preferred haunt of mine at the time.


More KRIM excellence. It was always tricky parking in a safe place in this area. I never did get broken into,  but I often worried about it while enjoying these feasts of flesh.

Eventually, I began attending the CAPRI on Gratiot for my XXX-rated needs.


NORTHGATE for this one. Not a bad waste of time. I never liked Leon Isaac Kennedy much. Found him kind of wimpy. Still, Penitentiary II was good stuff, and I remember getting into a conversation with some black dude about what I, an Australian, was doing watching this movie at the NORTHGATE in Detroit. It was a long story.


Dallas School Girls: not so hot. Centerfold Fever: fantastic. Another fine Saturday afternoon at the KRIM.


The ONLY place to see this was the ADAMS. Saw it on its opening Friday night and loved every trashy minute. A couple weeks later, I saw it again at the NORTHGATE.  


Super hot flick starring the beautiful Kandi Barbour. According to my diary, caught this on a Wednesday night at the KRIM. Not sure what I was doing in that part of town on a Wednesday night. Looking for a pimp job? 


NORTHGATE again. How I loved that place! I remember Satan's Mistress being  plodding, but I didn't leave disappointed because The Slumber Party Massacre was decent stuff. 


Caught at the ADAMS. Tried convincing wife of the moment to join me, but she'd have none of it. Not a damn morsel. So, off I went to spend the evening with the lovely Jayne Kennedy and her husband Leon Isaac.  This Cirio D. Santiago flick is a fun actioner with Leon as a bad guy. Very good stuff.


I don't know why I still have a soft spot for John Russo's Midnight; it's a bit of mess, really, but it boasts a sleazy, nihilistic tone that always rubs me the right way. It has Larry Tierney, too. Catching it at the NORTHGATE made it ten times better, I suppose. That joint had atmosphere to spare. The audience was mostly black and they loved it. Heaps of really young kids in the audience, too. 

Naturally, I stayed for William Fruet's Funeral Home, which was OK, and licked up a second screening of Midnight. I got so much into Midnight, I even bought the LP, which was fuckin horrible "...you're all alone, you're on your own, and midnight's at your door..."  

I worked for Orion Pictures in Detroit in the '81-'83 period, and once met the guy who programmed the NORTHGATE and a basket of other hardtops . His name was Bill Brown. I struck up a pleasant conversation with Bill, and he expressed some shock that I wanted to see ANYTHING at the NORTHGATE when there were much better theaters around. I had to point out to him that it was the movies I cared about , not the theaters. Bill, a pretty conservative guy, didn't quite understand that. 

Come to think of it, the THEATERS were a consideration, especially when they were fleapits. 


Even though this rotten pile of shit played at the ADAMS and NORTHGATE, I saw it at the SHOWCASE STERLING HEIGHTS for some goddamn reason. Looking now at the venues it played at, I'm shocked, and  must conclude that somebody behind this had some major influence with the local bookers. Unbelievable that this played so many quality theaters; it even played the ABBEY, which was only a mile or two from the SHOWCASE. Today, a flick like this would be lucky to get a DVD release.

The late Gary Graver (aka Robert MacCallum) directed and produced. His porn flicks were much more interesting.


It was a toss-up between the ADAMS and the BEL AIR for this one. Like a good boy, I went with the ADAMS. 

It turned out to be a slice of badly choreographed Godfrey Ho nonsense. I drove home in a depressed state through sleet and snow and questioned the direction my life was taking.

That lasted for about six hours; I was back at the NORTHGATE for another putrid outrage a day later.

Thursday, February 26, 2009

Way Back When

I have zero interest (perhaps less) in the recent DVD releases of slasher flicks like Final Exam and Sweet Sixteen.

I saw both of those movies in Detroit theatres in the early 80's (at the Showcase Sterling Heights and Northgate, respectively) and they were beyond execrable. Unbelievably boring pieces of shit that deserved eternal oblivion.

Romano Scavolini's '81 Nightmare (aka Nightmares in a Damaged Brain, '81), not yet released on DVD, is another matter entirely. It is one of the bleakest, bloodiest, most interesting slasher flicks ever made, sharing similarities with Clean,Shaven, Angst, Maniac, Henry - Portrait of a Serial Killer, and even Agnes Varda's Vagabond.

It is NOT a masterpiece, but it has a filthy atmosphere of menace and psychosis that counts for something.

Clearly, the film has rights clearance issues. If it didn't, it would be out on DVD.

Released unrated in most US theatrical markets, it is the film that Tom Savini denied ever working on. Stills of Savini on the set of the film are rife. Thanks for being an up-front guy, Tom.

When this double opened, I ditched the horror-loathing ex- for the night and headed to the Northgate for a night of grim horror.

I'd read Russo's Midnight ('82) and liked it...

... and I was bonkers for William Fruet, Funeral Home's director, after being blown away by his The House By The Lake (aka Death Weekend).

Unfortunately, Funeral Home ('80) had minor impact as a horror pic.

Midnight, though wildly uneven, had a strange, sleazy, Pittsburgh vibe that really turned me on. Lawrence Tierney was creepy as a stepdaughter-abusing cop who redeems himself, and it was great to see John Amplas (Martin) on screen again. There is a terrific on-screen decapitation, courtesy of Savini (who didn't deny doing this one), and the film's prologue, in which a young girl is beaten by a mother and her kids, is delightfully moody.

For some outrageous reason, I went and bought the horrible soundtrack, thinking that it would contain some of the film's moody synth score. I was so wrong. It's actually a collection of putrid folk songs including the title song with the lyrics:

"You're own your own, You're all alone, and Midnight's at your door!"

Fuck me!

Complete retitling of Paul Morrissey's Flesh for Frankenstein ('73).

I attended this screening at the Gratiot drive-in. Liked the film a lot. Udo Kier is amazing. Got sore eyes watching the 3-D. That's pretty standard. The format doesn't agree with me.

I spent an hour driving from Franklin to downtown Detroit to attend the Plaza, an old-style grindhouse.

Although it was cut, it was still horror heaven.

Joe D'Amato's The Grim Reaper (aka Anthropophagus, '80) is not a technically polished or well acted movie, but it is a sincere piece of grisly exploitation that spits in the face of "common decency". It has bloody murders, cannibalism, and a vile villain played by George Eastman.

It's like having someone smearing feces on your eyes for a couple of hours.

Can that be a bad thing?

Ask Veronica Moser.

Pulp as a way of life was being redefined once again at the Northgate, my premier pit for sleaze.

Doctor Butcher MD (Medical Deviate), was also known as Zombie Holocaust and Queen of the Cannibals in order to cash in on Cannibal Holocaust.

I enjoyed it immensely.

It's not non-stop gore and dismemberment, but it features a bunch of showstoppers including a face pulverized by a spinning boat propeller. Lots of flesh chomping, too, and other forms of behavior deemed unacceptable by polite society.

Billed with the Doc was Umberto Lenzi's '76 Assault With A Deadly Weapon, a great police actioner that surpassed the Doc for sheer, polished filmmaking.

Still, Doctor Butcher MD ('80) lit my life up for a couple of hours way back when almost thirty years ago.