The Underrated Coroner of Evil

Jessica Hamilton, who has written as Ken Greenhall in the US, has a distinct, rare voice. Virtually ignored on both sides of the Atlantic, she (or perhaps he?) has been absent from the genre for some time.

'Elizabeth' (Sphere, '76) was the first of Ms. Hamilton's slim, disturbing novels that I encountered. The second was 'Baxter' (Sphere, '77); it was titled 'Hell Hound' in the U.S. (Zebra) and attributed to Greenhall. As is Hamilton/Greenhall's style, the narrative unfolds from a taut, almost sociopathic, first person perspective. Elizabeth is a fourteen year girl who comes under the influence of a dead woman. She is encouraged to commit terrible acts of violence, beginning with the callous murder of her own parents.

The writing style is elegant and precise; the subject matter is dark and sinister.

'Baxter', like James Herbert's 'Fluke', is told from a dog's point of view -- in this case, a malevolent bull terrier. The dog kills each of his masters until he finds one who can command his respect.

The dog contemplates his future: "There must be some who see the world as I do; who know neither love nor fear.. I think I can find such a person..." When he does, death and
destruction result.

Once again, Hamilton takes firm control of the language and paints a macabre portrait of a sinister, cruel mind. The writing is tight and elegant, pretty on the surface, but swarming with rot and disease beneath the skin.

In 1989, French director Jerome Boivin adpated 'Baxter' for the silver screen. The film perfectly captured the book's tone and Hamilton's facility with language. The dog's voice-over, spoken in a throaty French baritone, added enormous weight to the dank, disturbing atmosphere.

Pocket Books, in the U.S., released 'Childgrave' ('82)


...and 'The Companion' ('88) under the Ken Greenhall moniker.

Once again, both novels are superb explorations of evil at a very intimate level. The writing is consistently powerful and disturbing.

Two additional novels, which I haven't read, exist: "Death Chain" (Pocket, '91) and the very well reviewed 'Lenoir' (Zoland Books, 2000), a non-horror effort about a black slave in Amsterdam.

In the UK, the Sunday Times called 'Elizabeth' an "elegant study of a world in which evil is total and triumphant".

Of 'Baxter', the Evening News said it is "A novel of inhuman horror".

Few modern authors have performed literary autopsies on the mechanics of evil so stylishly and as thoroughly as Jessica Hamilton/Ken Greenhall.

The mere recalling of my experiences reading these books gives me a delicious frisson of dread.

The author, a coroner of human evil, is really THAT good.

*****

fantasticfiction.com lists Greenhall's birth date as 1928

The Beautiful Savagery of Snow

I've treasured this book since I first read it in '79. I even love the book's cover illustration; it has a haunting, unsettling quality.

As a piece of writing that totally engages and transports the reader, it is extraordinary and virtually forgotten. It is one of my favorite novels of all time.

Will Holt, the author, composed the song "Lemon Tree" before writing this novel; it was his first.

At a distance, it's a "Disaster" story along the lines of movies like "Earthquake", "The Towering Inferno", and "The Poseidon Adventure". An almighty blizzard chokes Boston and creates hell on Earth. Up close, though, "Savage Snow"is an incredibly raw, violent, beautiful, and realistic tale of human beings driven crazy and to pure primitivism by a storm that isolates them and tests their courage. It's not really about the storm as much as it's about how the storm impacts on people's ambitions and desires. Especially the dark ones.

Holt, clearly drawing from his music business background, creates a totally believable rock band in the story called 'Savannah Sound'. For years after first reading the novel, I was convinced that the band existed. His portrait of them is just so vivid and credible. A sex scene between two members of the band (brothers) and a female groupie is one of the most intense I've ever read. And one of the most erotic. The writer's handling of a huge cast of characters is confident and fresh, as is his action writing.

The book would make a great movie, but you'd have to cut out most of the stuff that makes it so great to get an acceptable rating. More's the pity.

The tragedy is that the book went out of print very quickly.