Showing posts with label Star Distributors. Show all posts
Showing posts with label Star Distributors. Show all posts

Friday, December 28, 2012

Dr. Lamb's Secret Porno Empire?


Did Hong Kong's 'Dr. Lamb' character (played by Simon Yam in Billy Tang's gut-punching horror film) inspire these unbridled tomes of version?

Probably not. But it's fun to consider a fantasy connection, at least. 


Unapologetically lurid in title, content, and form,  the Dr. Lamb Library series was spawned by Star Distributors, the sleaziest and, arguably, most audacious of the pulpy porn paperback publishers. 

They managed several porno lines including 'War Horrors Casebook', 'Slave Horrors', and the 'Bizarre Library', which often featured great cover art by Phantom favorite Di Mulatto


The company survived for fifteen years in a competitive and transforming market before its founder,  Robert "Dibi" DiBernardo, was found in the trunk of a car. He wasn't smiling.


The company employed talented artists at bargain basement rates and these fellas really delivered the erotic goods. 


These covers, married to uncluttered graphic presentation, are examples of fine, unpretentious work.


The element lacking in the cover art of the Dr. Lamb Library is "fun" (a relative term, of course). These tales were hard and unforgiving, set in a world where lust trumped all else and a body was a vessel for selfish pleasure. Cover art from Greenleaf, for example, was more inclined to feature characters sporting a naughty smile or a background character getting their vicarious jollies from an observed scene of carnality.  


Common in porno novels of this period were the small swinger ads, some accompanied by grainy black and white pictures. 

I've yet to encounter anybody who can testify to the effectiveness of these.   


I love the 'strictly business' attitude of the guy here. He takes his pleasure seriously. 


The green socks on the lass are a fine touch.


The series was created by A. de Granamour (real name: Paul Little), who penned the bondage classic The Cult of Sathanas.  I don't believe he was the same Paul Little who created (and is) Max Hardcore, although the coincidence would have some folks scratching their heads.


Monday, February 20, 2012

Horror Paperback Infestation


I was an instant fan of Beth Holmes' The Whipping Boy (Jove Publications, '78), a strange and sometimes mind-boggling tale of child abuse. If you can wrangle a copy, you won't be disappointed.

The cover art is striking but strangely underwhelming, too. I often look at it and contemplate the thinking behind it.The interior of the sleeve is the actual face of the man whose profile is seen on the cover. 



Pretty decent rabies novel from Walter Harris, who preferred to be known as W. Harris. Definitely a product of the success of James Herbert's The Rats, it had a similar structure and got a little too preachy about the sexually active. You know who you are!

Cover art is great, and makes it looks like a war novel. There's a war against rabies, sure, but nothing terribly military. I'd say Star Distributors were probably trying to snag readers of Martin Cruz Smith's Nightwing ('77), the 'Bats Attack' hit of the year. Guy N. Smith's Bats Out of Hell was released a year later to further capitialize on Cruz's success. It was clearly a good time for plagues, infestations, and bats.


Did Victor Mullen quit the book trade after writing The Toy Tree (Paperjacks, '88)? Must have. I can't find anything else by him. I did look. Oh, yes, I looked hard because I loved The Toy Tree.  The language is awkward at times (a few too many adjectives), but Mullen captured the madness of a crazy kid very nicely. He pushed the envelope, too, with plenty of nastiness directed at kids and some juvenile games that would not have been out of place in Serrador's film Who Could Kill A Child


The book's art is very special. Probably much too subtle for the random paperback buyer, it  conveys the book's nihilism with skilled strokes of the brush.


The Toy Tree was another interesting release from the Ontario-based Paperjacks, the same publisher of the masterpiece The Happy Man (reviewed on this blog long ago).


Wednesday, April 15, 2009

The Potent Art of de Mullotto (Strong Material)


I stumbled on the work of de Mullotto when I was gathering the works of FE Campbell and Robert Bishop. de Mullotto's illustrations grace the covers of paperbacks from House of Milan and Bizarre Library/Star Distributors.


The story, credited to Turk Winter, opens with this:


Mark of the Master, de Mullotto's illustrated S/M horror story of a young woman kidnapped by a Satanic cult, piqued my interest with its graphic, powerful imagery.

I don't remember paying $8 for it. More like $48.

These illustrations certainly provide a contrast to Bishop's more evocative, lyrical work.

The plot involves Satan's search for a Queen. Being Satan, he has unorthodox courting methods:



Much of this feels and reads like a lurid porno paperback.

I find the artist's illustration odd but fascinating.

It's not surprising at all that de Mullotto joined forces with Eric Stanton's New York City-based Stanton Archives after Stanton called the artist to express admiration for his work.

According to his website, de Mulotto produced 8000 drawings between '68 and '85.

Although S/M * B/D art are his passions, he also custom painted motorcycles and did many commissions for a loyal client base.

Recently, I came across some interesting computer-generated art that I suspected was the work of de mullotto. I was right.


***

Harder, nastier de Mullotto website at:

http://www.d3mullottoextreme.com/


Softer site at:

http://www.demullotto.com/

Sunday, February 8, 2009

Porno Pulp For The Loving Man

'84 was a great year for publishing:

William Gibson's Neuromancer, Douglas Adams' So Long, And Thanks For All The Fish, Robert Holdstock's Mythago Wood, David Gemmell's Legend, Stephen King's Cycle of the Werewolf, Iain Banks' The Wasp Factory (my personal favorite)...


and Star Distributors' In His Sister's Bed, easily the least ambiguously titled of the bunch.

Neuromancer didn't tell you much about its subject; So Long and Thanks For All The Fish was open to interpretation, too.

Cycle of the Werewolf
? A tale of lycanthropic menstruation, perhaps? Or a tale of a werewolf's love for a Harley? It's not terribly clear.

The Wasp Factory? A horror story set inside a factory where white Protestants are mass-produced on an assembly line manned by illegals? Possibly. Banks was not at the top of his game when he thought up that title.

In His Sister's Bed? Much, much better.

It's clearly about a fella (Luther) who's about to make a mistake. He's had a few beers, stumbled in late, and crashed in the wrong bedroom -- his sister Lucy's bedroom, to be specific. He's freezing his balls off (it's the middle of Winter), so he jumps into bed with sis to keep himself warm. As you do.

Since it's a porno novel, and honest enough to say so with a vivid cover illustration, Luther's attempt to keep the Winter willies at bay results in an intimate encounter with his sister.

Like most intimate encounters of an incestuous nature, this one comes with baggage attached -- in this case, that baggage is a yellow-haired person (pictured) who's happy to share.

The porno world is traditionally a very sharing world. This twice told tale doesn't fornicate with that tradition, although it's primarily about fornication.

It keeps its focus within the walls of a single home where selfishness doesn't exist -- neither does privacy. In this household (err, mobile home), nobody's too fussed about the real life stuff non-porno people worry about and there seems to be a pleasing free-for-all vibe that is conducive to everybody having a good time.

And what's wrong with that?

Here's an opening paragraph that gets straight to the meat of the matter:

Homer McCall took a healthy swig from the jug of corn whiskey and watched his sweet sixteen year old daughter Maize stack the dishes on the shelf in the kitchen of their crumbling mobile home. She was wearing skimpy shorts and a thin tee-shirt. The cheeks of her ass bulged from the tight shorts as she bent over to put some plates under the sink.

Just one paragraph in and we're hooked. We have a father whose whiskey drinking is a "healthy" thing. We have a daughter whose ass cheeks "bulge". And events take place in a harsh socio-economic milieu where there's probably no cable TV. So who can blame these folks for generating their own brand of cost-free entertainment, right?

It seems that the book's author was so pleased with the end result, he/she took his/her name off the cover.

They didn't take their name off the copyright page, though:

No, siree. The author, Star Distributors (any relation to TV personality Star Jones?) copyrighted the work in '84 and was even kind enough to list their home address as 362 Canal St. Stat., NY, NY.

The publishers of porn novels from this era understood that value wasn't just a five letter word.

At $3.50, you didn't just get a hundred and seventy pages of guilt-free fornication, you also got Personal Ads. Nine damn pages of 'em!

When you were done reading stories about people whose solitary focus in life was sex (not taxes or electric bills or ex-wives' alimony demands), you could comb the Personals at the back of your porno novel and find like-minded perverts... and naive ladies with zero self-esteem.

Take "I'll Travel Anywhere"(above), for example. "Does anyone want me?" she asks. "I'm 18 with nowhere to go adn (sp) want to relocate with a loving man."

Boy, she sure came to the right place for a "loving man"! Clearly, a reader of In His Sister's Bed would have been the ideal candidate to answer this young lady's cry for help. Loving. Caring. Sensitive. He was all of those.

It's just as well she didn't put the same ad in the back of William Gibson's Neuromancer. Can you imagine the greasy degenerates that would have attracted?

It must have been heartening for prospective, financially strapped "loving men" to know that this woman (179-S) was prepared to travel "anywhere". Yes, folks, ANYWHERE. There were no exceptions. And for a fiver you could receive a photo and phone number, too. Who said things were bleak before the internet?

The fact that she was "somewhat inexperienced", eager to learn the ropes of love, and 18 (not an age that would put most loving men off) certainly must have bolstered her chances of finding happiness with a reader of a Star Distributors book.


Eager to keep the serpentine plot of In His Sister's Bed under wraps, the publisher included no synopsis on the back cover. Instead, it printed the covers of four other titles that also knew something about direct language:

All focused on the exploits of a variety of loving men.

Joining the Personals and adding further v.a.l.u.e. to the enterprise were more lurid covers from other categories.


George Orwell didn't foresee that 1984 would be a great time for love, and loving men.