Showing posts with label Circus of Dread. Show all posts
Showing posts with label Circus of Dread. Show all posts

Tuesday, January 29, 2013

Don't Kow-Tow To The Noise




Two years in the making, my film Pond Scum nears completion.

Truly a collaborative effort, it has grown and morphed and mutated like a living organism into something that is, strangely enough, about the nature of creativity.




What I like most about filmmaking is the evolution of each project, and how the subject matter brings the like-minded together.

Frankly, I make films based on what fires me up. I make films with budgets and without budgets. There is always a way. That's what being creative is. Finding a way. Finding your own way. And ignoring the noise of negativity, envy, those projecting their own insecurities onto you, and those kow-towing to convention.




I have no illusions about Pond Scum's fate beyond completion.

It is dedicated to cinema's great revolutionary, Koji Wakamatsu, who may spin in his grave when he sees it. Who knows!?

Thursday, July 12, 2012

Very Special People (I Mean It!)



Let's can it with the "everybody's special" bullshit. It's patronizing and nauseating. SPECIAL once signified something extraordinary that distinguished one thing from another. If you had one leg, but managed to hop your way around, you were special. If you ate glass instead of hamburgers, you were special. And if you were born looking totally hideous and eating through your ear, that made you special. Winning a race doesn't make you special. Neither does existing. If you figure out a way to exist forever, that'll make you special. Try it.

Frederick Drimmer, the author of Very Special People, knows a thing or two about special people, and wrote a very fine book about them. It's my kind of book, and perhaps your kind of book, too. I know a person or three who will dig it as much I did.

And as I am presently preparing a feature film, Circus of Dread, on this very subject starring Bill Oberst and Domiziano Arcangeli, my interest and fascination level is off the bloody meter.



What makes this book about human oddities unique is its straightforward focus on the day-to-day lives of over a hundred extraordinary human beings such as Kobelkoff: The Human Trunk, Carl Unthan: The Armless Fiddler, The Two-Headed Tocci Brothers, Swan and Bates: Two Giants in Love, Zip and Other Pinheads, General Tomb Thumb, Tommy Jacobsen: The Armlessd Pianist, and Robert Wadlow: The Alton Giant.

Writer Drimmer first saw folks of this persuasion in the circus, and sourced documents and letters from all over the world before beginning work on this love letter to being different and "special".




Today, extraordinary people like these do exist, but they are more likely to turn up on youtube or theync.com than your local midway. Unfortunate, really. The recent story of Indonesia's smoking baby provided some oldtime thrills, although a follow-up piece on the lad by the 'Vanguard' documentary program (highly recommended series, by the way) reported that he's quit smoking and has returned to childhood. He's still a weighty blighter, but his days of chain smoking are behind him.

Let's be under no illusion that, if the old freak show were still in operation, there'd be no freaks to fill it. On the contrary, human birth defects are alive and well, and if you factor in the damage that big business is doing to native environments (Chevron's polluting of Ecuadorian rain forests, for example), many generations of birth defects are assured.


Recently, my brother sent me a link to a gallery of photos of people suffering from "Treacher Collins", a syndrome that creates a distinct appearance. Notable characteristics are an underdeveloped jaw, missing cheekbones, eyes slanted downwards, and ears not properly formed or missing.





It is the Google image gallery that has replaced the circus and the sideshow as a showcase for exotic human beings who are but only a step away from those who are not so special.





In Very Special People - The Struggles, Loves, and Triumphs of Human Oddities, Frederick Dimmer opens with a terrific quote from William Lindsay Gresham:




"On their faces was a strangely luminous smile.
I know now what it indicates --
they had met tragedy and fought it to a standstill;
they had taken a handicap
and turned it inside out,
making it work for them;
with courage and patience
they had built themselves a life."



Saturday, June 9, 2012

The Circus of Dread Is Coming




My next project, Circus of Dread, has had a lengthy gestation period, and is finally approaching production.

Bill Oberst Jr. and Domiziano Arcangeli topline this dark, brutal, sensual, and action-packed story of two brothers sucked into the grotesque maelstrom of an underground circus.



Without a doubt, this is just the sort of Pulp that this blog is dedicated to --  and , I trust, something special for lovers of dark, weird, and 'fantastique' cinema. 

As a lifelong lover, devotee, and fan of this material, my mission is to make a movie that I would love to see myself, that I would embrace for its originality, passion, and raw truth.





That's my challenge, and its my responsibility to engage my audience, give them a cracking good time, and disturb the shit out of them with compelling characters in unpredictable situations.

This first piece of art is by the brilliant Santiago Caruso, whose work I've showcased several times on this blog. For me, it perfectly captures the spirit of this considerable creative undertaking, a true collaboration of like-minded individuals. They know who they are, and I'm grateful to them all.


The circus IS coming! Nothing can stop it.