Monday, January 16, 2012

Freaks Always Welcome Here



From Brazil they came, and they're welcome on my blog.

Would they be welcome in your house?

Would you feel comfortable having these human beings -- these fellow human beings --  to dinner?

Personally, I'd welcome them, and I'd like nothing more than to listen to Mr. Music strumming away while his forehead drips down his face.

As I'm in the midst of writing a film (my next) based around folks of this persuasion, I'm even more partial to 'freaks' right now than usual.

Wednesday, January 11, 2012

Phantom's Book Round-Up

 I read every day, and I hunt books down like a shepherd hunts sheep. I can't go anywhere without taking a book with me, even though I don't always read it. Books are comforting. They're someone's imagination and knowledge knocked up into a neat package. What a privilege it is to swim in the mind of another.

These are a cross section of books recently experienced.

Trevor Brown's Black and White (Timeless; 2011), with a foreword by Romain Slocomb, is a superb collection of the artist's non-color works.

Brown's work is confronting, sublime, beautiful and intensely erotic.

Not one to pass up if you're inclined towards the raw and savagely sensual.


Easily the best book I've read recently about the sexual mind and the genesis of an array of paraphilias. 

I walked away with a very different perspective on the forces that shape us.

Money has done exceptional clinical and research work in the field of development sexology (I also recommend his excellent Venuses Penuses: Sexology, Sexosophy, and Exigency Theory), and here delivers one of his most enlightening arguments here.

There is an excellent chapter on John Harvey Kellogg, the miserable fuck who invented 'Corn Flakes' as an anti-masturbation food. Kellogg was degeneracy theory's fiercest anti-masturbation advocate. To stop boys from masturbating, this dangerous fool recommended sewing up the foreskin with silver wire and did not oppose circumcision without anesthesia; to prevent girls masturbating, he recommended burning out the clitoris with carbolic acid(!). A successor to the Reverend Sylvester Graham (purveyor of Graham crackers and the public's first crusader for degeneracy theory), Kellogg believed that substituting meat with cereals and nuts would retard the sexual impulse.

Not a surprise that his company later sold 'Fruit Loops', a cereal containing enough sugar to kill any human impulse or organ.


For die-hard Who fans only, a thorough and exhaustive study of the Daleks from go (in the early 60's) to wo (now).


More than you ever wanted to know about Bronson and the Death Wish movies. Extensively researched chapters on each movie cover pre-production, production, critical reaction, and the sometimes mind-boggling shenanigans behind the financing and distribution. 

Charlie, it's revealed, didn't have much love for the films after the first one, but sure loved the staggering pay checks.


As someone who is reasonably obsessed with health and fitness, this is a Holy Grail of research on the subject the title implies. Extremely detailed, it focuses on teeth and what they tell us about a society's nutritional habits. 

Although first published in 1939, its theories and recommendations are as current as tomorrow's newspaper.


Jaycee Dugard, kidnapped and held prisoner in a California backyard for eighteen years by the psychotic Phillip Garrido, who also impregnated her twice, tells a shattering story of survival in her own words.

Interesting how adaptation and acceptance became her survival mechanisms. 


The mundane rendered hysterical by a master wordsmith. Also try Platform.

The Dawn of Real Cannibalism


As far as I know, close to the first porn flick to feature actual flesh eating. From Japan, of course.

In the 70's, German fetish series such as Pain, Violence, and Slave Sex covered most of the ground depicted on this video sleeve including the nailing of body parts to tables, extreme piercing, and genital suspension.

These Euro films did not, however, cover initialing the body with knives and needles, and they did not feature a scene in which a piece of the body is removed with a knife and eaten for real.

Truly a film for a narrow, specific market.

Produced by Dragon Image.

***

I haven't seen the film myself, but verification of its content comes from a totally credible source.

Geek Love


While working out of state recently, I was emotionally moved by a TV dating show called 'Geek Love'. Yes, emotionally moved.  Affected.

Did the producers of this trinket take their title from Katherine Dunn's fantastic novel, a big favorite of mine? Maybe. Of course, the geeks of Dunn's novel are the carny-type geeks who bite heads off feathered animals and ingest liquids deemed toxic to the rest of us. The geeks of 'Geek Love', the TV show, are obsessed fans of Buffy, Lost, Star Wars, Star Trek, Twilight, Iron Man, X-Men, and anything else deemed worthy of worship. At school, these folks were treated worse than chicken head eaters, I'm sure. I know I was.


The purpose of the show, beyond making profits for MTV!, is getting geeks tethered. Based around geek gatherings like San Diego's Comic Con, the show throws the geeks into a speed dating situation where they are forced to sell themselves to each other. Each endures thirty dates. Afterwards, the geeks ruminate on their dates and pray that someone out there will "get" them.

The show focuses on specific geeks, and we follow them through the process. Some score, and waltz away tethered, smug, and content; others return to their geek isolation. There's lots of sad and a little bit of happy. It was refreshing to see a broad age range amongst the geeks. Some were in their thirties. Most were in their early twenties or late teens. The message was clear: When you're a geek, finding love is like punching your way through a brick wall with the fist of a mortal.

The young Phantom: Geek in training!

I warmed to this show because I was/still am a geek. Actually, I was a geek way before a place existed for geeks to gather and way, way before the internet provided a refuge for our type. When I was a pint-sized, pre-teen horror and sci-fi fan, I was the school freak, and my geekery was not welcome. I had terrible trouble recruiting pre-teen vampire brides for my Catholic school re-staging of  'Count Yorga Vampire'. Only one lass was willing to allow my teeth in her neck. Most potential brides wouldn't even stand close to my cardboard coffin.

Things got ugly at high school. By then, my geek-a-philia had turned chronic, and I was walking the playground with a  James Blish Star Trek novelization in my blazer pocket, Starlog #1 (wrapped in plastic!) in my hand, and James Herbert's The Rats in my other hand. I whistled the Star Wars theme at morning tea, played Johhny Williams' Lost in Space theme from my portable cassette player at lunchtime, and hummed the Space:1999 theme (second season) at afternoon tea. If anybody identified it, I'd grill them about what season it was from. If they got it wrong, the sky would fall.  I'd won my cassette player as a geek twirling a yo-yo at a local competition run by Coca Cola. My record was 800 loop-the-loops. I'd beaten a kid who managed only 779 loops and looked like a junior heroin junkie. On the following year, he was referred to a 'Heroin Kid'.   I eventually mastered the 'rollercoaster', too, a neat trick, and came close to wielding two yo-yo's at once without getting the strings tangled.


My penchant for bringing geek things to school backfired on me the morning I proudly presented the first six back issues of Starlog (cost: a damn fortune!) to an up-and-coming geek I was grooming. As he marveled at their graphic ingenuity and a choice Mr. Spock (not 'Dr. Spock', morons!) cover, the school bully, Dibby Brash, ripped them from my apprentice's hands and stomped them into crinkled balls in front of both of our disbelieving eyes. My geek apostle froze like stone and I launched myself at the Brash heathen. I wasn't stronger than him or fiercer, but my geek anger bestowed on me five seconds of immortal power that enabled me to apply a balled fist to his acne-infested face. He crashed to the cold concrete of the dark corridor and never, ever, ever came near me again. Now and then, as I would sit on a bench at lunchtime reading a Dr. Who novel (thanks, Terry Nation), I'd look up to see Brash slipping by quietly, his pizza face hiding eyes that wouldn't meet mine.


I attended an all-boys school and had minimal exposure to females outside of my (much-despised) sister, and mother -- who weren't officially females in my twisted book, anyway. I enjoyed weekends with the gorgeous Gilling sisters (close neighbors) and practiced the odd intimacy with them on the grassy cliffs by the motorbike tracks. Again, they were neighbors, not unknown females, so courting rituals weren't necessary components of my interaction with them. The courting -- if you want to call it that -- began when I was forced to take ballroom dancing lessons at sixteen. I flat-out refused at first because, as far as I was concerned, ballroom dancing was for poofters (Australian for queers, fags, fruits, and anybody who wore white socks) like that future Aussie film director with the same birthday as me: Baz Luhrmann. He grew up and made Strictly Ballroom. What hetero male does that with balls hanging proudly? Seriously! If he's not a poof, I'm a Bangkok trannie. But he's married, you argue! So was Elton John, I scream back.

Elton marries...what were you thinking, mate???!!!

Anyway, I only agreed to learn poofter-approved ballroom dancing because it got me out of the house on Sunday nights and gave me access to girls.

Well, access to girls is one thing is one thing, but gaining it without the help of a ski mask and a Rambo knife is another thing altogether. Gaining it requires conversation. A type of conversation that I couldn't make. Not to a satisfactory degree, anyway.

When your head is loaded with Star Trek, Star Wars, Dr. Who, Lost in Space, Dr. Smith, Dr. Death, Dr. Cyclops and lesbian vampires, starting conversations with snotty girls from private schools isn't easy. Once you're done with the small talk ("What's your name?" "What school do you go to?"), the space between you and her is an almighty gulf, a gulf that Klingons, Daleks, giant rats, and Sucking Pits (thank you, Guy Smith) just can't bridge. The truth was, I wanted to touch their vaginas and inspect their breasts, and maybe they were game for it, but I didn't own the magic words to open those doors. I knew words like "Exterminate!", phrases like "Live long and prosper!," and reprimands like "Shut up, Booby, or I'll take a stick to your bubble." None of these lines got you laid back in '78 with non-Geek sheilas (Aussie and informal for anything young and female).


Now, the Geek boys have 'Geek Love' to assist them with their courting... and the Geek sheilas, like the cutie above, are out of the closet, and they want love, too. I'm sure that a young fella's idea of love still remains at odds with a young woman's idea, but at least they're starting the process on common ground.

When you're born off the grid, it's pleasant to discover other subterranean grid dwellers. A TV show that embraces and acknowledges them is a bonus.

South of the Border Pulp


Trouble brews now that my 'interest' in these comics has moved from collecting cover scans to buying the comics themselves and scanning the covers. Apart from a fine eBay purchase, I found a tiny bookstore in Downtown LA that sells these by the hundreds. They seem to stock old and new. If it didn't sell, it's there until it does.

Surprisingly, some of these (the above) are in full color throughout.   


I love where the artist has positioned the explosion here. These are truly sensational works of art, cinematic, lurid, and filled with enormous energy.  


This one looks more European than Mexican to me. Not sure why the woman's chest is not exploding into crimson.


Beautiful Western image with a strong erotic edge.

Perhaps a publisher such as Taschen will assemble these masterworks into a thick, heavy, coffee table book one of these days.

These comics are beggin' for it! 

Friday, January 6, 2012

Worst Films of 2011

  

Sometimes I wonder why I see so many movies because I expose myself  to an awful rooker full of shit. The truth is, I'm addicted, I'm addicted to possibility. To potential. 

Is there such a thing as a degenerate optimist? I guess there is, because that's clearly what I am. Shit, I'm a filmmaker, aren't I? Few things require more psychotic optimism than movie making.  

Like a village idiot, I attend every movie with high hopes, good intentions, and an open mind. I'm not lying about that. Why else would I dare see Tom Hanks in Larry Crowne if I didn't think it would be good? Despite the awful poster (Hanks looking like a dick on a Vespa with Julia Roberts!), I still rolled the dice on that turd.

Anyway, I rolled the dice on Uncle Boonmee, too, and that's got a very cool poster.

It's on top of my Worst of 2011 list because it was an interminable bore. It got praised by professional critics and ended up on some 'Best' lists. Well, it ended up right here on a different list. Seriously, if this film had been in English instead of Thai, it would have been crucified for the steaming turd it is. 


Mickey Rourke's career is in a second major decline. The guy's talented, so why can't he recognize a stinker when he reads it? Or did he even bother to read it? Nothing in this script would have signaled greatness.   


Vile garbage. Just plain evil. I rest my case.


Pretty and lifeless. Like a Supermodel.


Get off the fuckin Vespa, Hanks, and give Roberts the heave-ho. She's no good for you! You've done good work in the past, but to depart 2011 with this and the cliche-ridden, horrendous Extremely Close and Incredibly Loud under your belt is a crying shame.


What a stinking crock of celluloid pus. Spending more than a hundred bucks on swill like this was as immoral as it gets. Think of the kids whose senses have been incinerated by this. 


Good intentions and big checks can't pump life into a rotten, confused script. Watching this was like watching Hollywood burn. 


An earlier attempt to do the 'Dylan Dog' property was the beautiful and horrific Dellamorte Dellamore (directed by Michele Soavi). Did nobody take a look at that first? Obviously not.

This take on the character was as poetic as a prostate exam, as interesting as Barbara Bush's vagina, and as disturbing as Count Chocula.   


Lots of money and nostalgia thrown at a script containing no logic whatsoever.  Awful because a smart rewrite would have repaired its flaws. I wrote about this shit at length in a previous blog.


Human Centipede 2 is on this list because it's tedious, not because it's disturbing. 

A triumph of smart marketing and a poster child for amateurishness disguised as meaningful chiaroscuro.


Truly, truly awful and boring black comedy with no laughs and confused intentions.

The more recent Young Adult, with the luscious and talented Charlize Theron, succeeded completely at what this stinker failed to do.

Films I'm Looking Forward To in 2012:

Himizu
The Theatre Bizarre
Motorway
Du Zhan
Last Stand
Bullet To The Head
Only God Forgives 
Stoker
Savages
Django Unchained

Fuck The Fucking Shame







America is a strange, troubling country, a country that treats sex as a commercial commodity to sell products, and then tries real hard to make you feel real bad for wanting to actually do it.

Advertising positions sex as something you must pay for. And pay dearly.  If you have a luxury car, you get sex.  If you don't, fuck you!  If you're good looking, wealthy, arrogant, smooth, well educated, and swim with the sharks in the right circles, all the sex in the world is yours.

If you're none of the above, fuck you, Charlie!, and, even better, we'll bust you for leering at teenagers, those same teenagers we exploit to sell our products to gullible cretins with money and "status". And, hey, we'll shame the fuck out of you for masturbating to pornography and getting erections.

If you're poor or not on the approved grid, you get nothing, fucker! Actually, I'll do you one better than that: You get prison AND eternal condemnation.







What I love love love about Oscar Bazaldua's masterful work is its utter contempt for polite (read: corrupt) society. This guy does not drink the Kool-Aid.

Clearly, he doesn't subscribe to the polished bullshit that every American is fed from birth 'til death. He doesn't play favorites. He's not afraid of sex. He's not afraid of desire. He's simply not afraid.

His art portrays a world not perverted by religion, not twisted by hidden political agendas, and not hideously dishonest like the one we're all supposed to aspire to so the rich can get richer. 

Bazaldua's people are my people. They fuck, they love, they hate, they feel.

They're humans.

You won't ever see real humans on the commercial TV networks... but you will see them here.

Cheers, Oscar, you're a true Apostle of Pulp!