
When the souls of the dead crash victims begin to interfere with the lives of those who live close to the crash sight, Herbert springs into action and delivers a classic tale of horror that is less hardcore but no less compelling than his previous The Fog.


Herbert's smart concept is not well exploited by screenwriter David Ambrose and David Hemmings' direction is plodding.
Production values, however, are decent. The crash of the plane into a field is decently realized, and the music by the late Brian May is moody and rich.
It is the film's failure to embrace the material in a more enthusiastic way that ultimately derails its potential. It's as if Hemmings was uncomfortable delivering a horror film.

The little-seen film didn't hurt the novel's reputation.
I liked 'Survivor' the film a lot, but felt there was something missing. I assumed it realised only a fraction of what the novel suggested- but never got around to confirming as I didn't read it.
ReplyDeleteI think your 'Fearless' suggestion is correct, and I even see a hint of it in "Unbreakable"- albeit a different mode of transport. The fact that he turned out to be 'super' was a step in the right direction, and 'Final Destination' edging that way, to be sure, but have the possibilities of surviving a wreck really been explored to the max in film?
When I see someone survive a major transport accident, I want to see some MAJOR transformations- and not just some vague 'new age' promise to live a better life!!
There must be ghosties! Beasties! And BLOOD!!